Friday, June 05, 2015
The Modern Mind in Art
Cubism paints reality from multiple perspectives at once, after all one perspective can't be right. All perspectives at once are true even if this leads to no perspective. This type of painting can be a metaphor for the mental state of how reality appears to the modern man who is open to all-truths since no truth is absolutely true to everyone. Being open to all-truths, even contradictory truths is like having no truth.
Representational art traditionally has one viewpoint. Traditionally societies have had a majority viewpoint. Art tended to have meaning and represented real things and ideas. As in cubism, the modern liberal mind tends to shun a single narrative of truth unless that narrative is that there is no one truth. Ambiguity, open-mindedness, pluralism, "tolerance", is the ideal. I think that is why modern art is so ambiguous and hard to understand. Modern Western society thinks life should be hard to understand, at least a life with meaning. It tends to say that each person makes his or her own personal meaning and no one narrative encompasses all as true.
Then we have abstract expressionism. This type of art seems to promote the idea that meaning is not important in life, only self-expression and freedom to do whatever you feel. The need to communicate ideas and connect to others in a rational way is not important. What seems to be encouraged is the expression of the self at the expense of a shared experience with others with actual understood meaning. Can you think of any people in your life that live this way?
Am I reading to much into art and what its style promotes or can you see that values of a society materialized in the artworks it creates?
Wednesday, June 03, 2015
My Journey on the Coming Home Network Newsletter
Finding the Vanishing Point: My Journey to the Catholic Church – Conversion Story of Enrique Crosby
Tuesday, May 05, 2015
A Pentecostal Art Aesthetic Fulfilled
I wrote in the past about my desire to develop and explore a Pentecostal art aesthetic, a form of principles that express the purpose and state of being of art created in a "Spirit-filled" way. What I meant by Pentecostal was that this art would have a supernatural quality capable of the miraculous and the revelatory, that the artist him/herself would intentionally in a mystical and prayerful way submit to the leadings of the Holy Spirit with the intent that he/she would become a conduit for God's work and that the resulting artwork would be imbued with a supernatural grace to touch the viewer. Now that I'm Catholic, I believe the word I was looking for was that this art would be "Sacramental", a physical reality that conveys grace to us here on earth.
Looking at the world now through Catholic "goggles", I see that the artwork I was seeking to define is very Catholic. For example, the Catholic mind has accepted the history of religious art/icons that were created in grace by artist and that these icons in many places and times have played a part in supernatural occurrences and protection.
As a Pentecostal, I had been impressed when I heard a story of a woman in California associated with the Jesus Culture movement and Bill Johnson's Church in Redding, CA, who had been healed of blindness when she had walked past a painting created by a prayerful Charismatic. I wanted to see more of this physical creative art releasing the supernatural. I wanted to explore and define this phenomenon of art and the supernatural. This issue has long been a part of Catholic Church history. This is very much the historic Catholic understanding of the arts. Why was I trying to recreate the wheel as though it was a new phenomenon?
For one example of a supernatural work of grace being associated with an artwork, read about the Black Madonna of Czestochowa. There are many more examples of such occurrences, they may just not fit in with typical Protestant theology. A picture of Mary or a Saint releasing a miracle, well I would just have assumed it was demonic to lead the world into idolatry of the art object and away from true Protestant theology. One has to deal with the anti-Catholic mindset to see with clarity the beauty of grace working through art, or else one will overlook these historic occurrences as demonic and only look to the modern occurrences of miracles associated with art created by Protestants that fit Protestant theology, and like I was, will be left thinking this is a new phenomenon yet to be explored.
A warning to the Charismatic artists, or Prophetic Artists as we used to call each other. Be careful in your journey to see grace work through physical artworks because you are moving into a theology of Sacraments and Sacramentals that is very close to a Catholic understanding of matter and grace. Protestants have tended historically to view an either/or, Grace vs. Matter conflict, and Catholics a Grace and Matter relationship of Grace perfecting matter. Pentecostals may believe that the Holy Spirit may work through anointing oil or a handkerchief that has been prayed over, but has to stretch their minds to believe in God working through a man made art object.
I look forward to exploring this topic more in depth and studying miracles associated with and around art objects.
What are stories of God supernaturally working through art that you have heard of?